So I began researching for a 3d suite to invest in, but the high end packages were prohibitively expensive, and reasonably priced ones were just not good enough. Which meant almost I did everything remotely creative, not just waterjet-related.However, I yearned for those good times doing creative computer graphics. I was the head of the waterjet division in an architectural stone workshop. It was quite a success, but I partnered with the wrong type of people in the endeavour (non-creative and lazy partners), so I closed shop.įast forward some years later, I was fed up with my current job. I became aware that I could draw better, faster, and with much more precision than using traditional drawing methods.This led me to be something of a cg pioneer in my university, as I was the first student to successfully create a complete architectural project using the computer alone.įresh out of the university, I opened what was probably the first archviz studio in my hometown, Puebla (Mexico). I was hit from behind in a car crash, and had to wear a cervical collar for more than four months.As I was a studying Architecture at the time, I had to find a way to draw without straining my neck, and computer graphics was the answer. It all really started back when I was in the university.
Q: Could you tell us about yourself and your background in creativedesign?